The double-head crane

For the past nine years, I have been capturing the theme of my year as a new version of my crane symbol. Cranes travel thousands of miles each year, following specific flyways and stopping at points of interest along the way. Similarly, I have always taken the path of adventure in the field of design and technology.
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My Role

To illustrate my heart

Project Type

Passion Project

Deliverables

one year per picture, to be continued

Tools Used

Whatever tool is feasible at the moment

2015-Origami

The origin of the double-head crane. My friend made an origami crane but with both sides folded. I found it very interesting and colored one beak along with adding eyes to both heads.
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2016-First Illustration

This one is also used as the website logo.
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2017-Soft vs. Solid

The thinking of wars and peace.
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2018-Retro to the original logo

The background is the pattern of my favourite character Emma the elephant.
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2019-Worship of Bhaiṣajyaguru

To celebrate my mom's recovery from cancer. I paid genuine respects to Bhaiṣajyaguru, the Medicine Buddha, by creating this image.
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2020- Teka in Crane outfit

This year I got my beloved baby boy Teka. I loved him so much. He gave me the strength to survive the brutal quarantine days in China.
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2021-Everything is unreal except my dog

To pay tribute to director Satoshi Kon, I tried an illustration in his style. Though the pandemic showed a sign of decline then, people still suffered from intense anxiety. Petting my dog comforted me a lot, reminding me that life was real.

2022- My mind is always with Teka

I left China for Canada to study. It was unlikely to take Teka with me. One day, I dreamed of unleashing him on a vast meadow, running freely and happily with the crane-shaped giant could.
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2023-Product designer crane

Keira has joined the product designer family for one year. This one is done in Figma as a celebration.
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2024- Creative Technology crane

I have immersed myself in Creative Technology and set the goal of becoming a professional creative technologist in the upcoming years. My focus is on bridging multimedia with product design to create more engaging and intriguing interactive experiences.

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